Apostle paul conversion art

  • The conversion of saul to paul
  • The conversion of st paul caravaggio analysis
  • Caravaggio painted two masterpieces of St. Paul’s conversion — why?

    CNA Staff, Jan 25, 2024 / 04:00 am

    Even those who aren’t intimately acquainted with art history may be familiar with the Baroque master Caravaggio’s dual paintings depicting the conversion of St. Paul, two of the more famous works of art in the Western canon. 

    Yet the very fact that there are two such paintings remains something of an oddity, one that historians have puzzled over for centuries. 

    Caravaggio completed the first of the paintings, “The Conversion of Saint Paul,”at the same time as the equally monumental “Crucifixion of Saint Peter.” Both works were commissioned by the Roman jurist and papal treasurer-general Tiberio Cerasi for the Chapel of the Assumption in Rome’s Basilica of Santa Maria del Popolo.

    “The Conversion”depicts Paul at the moment he “fell to the ground” and was struck blind by a revelation from Jesus Christ, as told in the Acts of the Apostles as well as several of Paul’s letters. After that experience, Paul became what God himself described as a “chosen instrument” who would “bring [the Lord’s] name before Gentiles and kings and before the people of Israel.”

    As was the Baroque style, the paintingis heavy with contrast: Profound strokes of light are met with dark, brooding shadows. Jesus Christ is depicted in the upper third of the image, reaching out to Paul while being assisted by an angel. Paul himself is seen as an older man with a beard. 

    Though the artist plainly invested a great deal of work in the painting, it would ultimately never make it to the Cerasi Chapel. Instead, Caravaggio would paint a second work, “Conversion on the Way to Damascus,” a substantially different depiction of Paul’s conversion showing a younger man knocked off his horse by the blinding light of God.

    The popular historical account, written by Caravaggio’s contemporary Giovanni Baglione, holds that Cerasi rejected the first versions of both “Conversion” and “Crucifixion,” req

      Apostle paul conversion art

    Conversion of Paul the Apostle

    Event recounted in the New Testament

    This article is about the biblical event. For other uses, see The Conversion of Saint Paul (disambiguation).

    The conversion of Paul the Apostle (also the Pauline conversion, Damascene conversion, DamascusChristophany and Paul's transformation on the road to Damascus) was, according to the New Testament, an event in the life of Saul/Paul the Apostle that led him to cease persecuting early Christians and to become a follower of Jesus.

    The New Testament accounts

    Paul's conversion experience is discussed in both the Pauline epistles and in the Acts of the Apostles. According to both sources, Saul/Paul was not a follower of Jesus and did not know him before his crucifixion. The narrative of the Book of Acts suggests Paul's conversion occurred 4–7 years after the crucifixion of Jesus. The accounts of Paul's conversion experience describe it as miraculous, supernatural, or otherwise revelatory in nature.

    Before conversion

    Before his conversion, Paul was known as Saul and was "a Pharisee of Pharisees", who "intensely persecuted" the followers of Jesus. Paul describes his life before conversion in his Epistle to the Galatians:

    For you have heard of my previous way of life in Judaism, how intensely I persecuted the church of God and tried to destroy it. I was advancing in Judaism beyond many of my own age among my people and was extremely zealous for the traditions of my fathers.

    — Galatians 1:13–14, NIV

    Paul also discusses his pre-conversion life in his Epistle to the Philippians, 3:4–6, and his participation in the stoning of Stephen is described in Acts 7:57–8:3.

    Pauline epistles

    In the Pauline epistles, the description of Paul's conversion experience is brief. The First Epistle to the Corinthians 9:1 and 15:3–8 describes Paul as having seen the risen Christ:

    Caravaggio - The Conversion of Saint Paul

    by Alexandra Tuschka

    A horse's bottom stretches out towards us. It is not necessarily graceful, this horse looks more like a plough horse than a fine warhorse. The light falling on the scene from above right illuminates not only the animal but also the young man who has fallen to the ground, stretching his arms and legs like a beetle. His eyes are closed. He seems to be filled with an inner movement. Another, older man, a farmhand, can be seen at the top right. He is taking care of the bridle and has not noticed anything of the scene in front.

    The so-called "Damascus experience" of Saul can be seen. Saul of Tarsus was the son of a Pharisee, he was a violent persecutor of the early Christians. On his journey to Damascus, a light appeared in the sky and he heard the words "Saul, Saul, why do you persecute me?". The light struck Saul down. When he asked who was speaking to him, the voice revealed itself to be Jesus. Following this experience, Saul went blind for three days. After that he was converted and from then on called himself "Paul". As Paul, he became a promoter of the church of Christ. His letters are collected in the New Testament as the "Pauline Epistles". They date from the time between 48 and 61 AD and are the oldest surviving works of early Christianity.

    The "Conversion of Saint Paul" by Caravaggio was one of two murals commissioned in September 1600 for the family chapel of Tiberio Cerasi in Santa Maria del Popolo. Alongside the "Crucifixion of Saint Peter", which is to the left of Annibale Carracci's altarpiece, "the Conversion of Paul" is positioned on the right. This arrangement was apparently considered by Caravaggio when he adjusted the incidence of light in both works. To this day - a rarity - both works are still in this very chapel and thus in the original place of their creation.

    A first versio

  • The conversion of saint paul caravaggio
  • Category:Paintings of the Conversion of Saint Paul

  • Michael Angelo Immenraet - Conversion of Saul.jpg 787 × 583; 193 KB

  • 14 Lorenzo Veneziano Conversion of Paul 1370 Staatliche Museen, Berlin..jpg 704 × 579; 327 KB

  • Lancz St. Paul Altar.jpg 385 × 596; 54 KB

  • Peter Paul Rubens (1577-1640) - Conversion of Saint Paul - P.1978.PG.357 - Courtauld Gallery.jpg 1,200 × 936; 137 KB

  • Willmann Conversion of Saint Paul.jpg 800 × 598; 363 KB

  • Abraham van Diepenbeeck - Bekehrung Pauli - 1222 - Bavarian State Painting Collections.jpg 566 × 945; 115 KB

  • Angelico, miniatura con conversione di san paolo.jpg 800 × 995; 169 KB

  • Artgate Fondazione Cariplo - (Scuola ferrarese - XVI), Conversione di San Paolo.jpg 800 × 596; 133 KB

  • Attributed to Pisanello (Italian, by 1395 - about 1455) - Initial S- The Conversion of Saint Paul - Google Art Project.jpg 2,948 × 4,611; 3.55 MB

  • Bekehrung des Heiligen Paulus Norditalien 16Jh.jpg 3,811 × 4,959; 11.35 MB

  • Bekehrung des Paulus vor Damaskus NL 17Jh.jpg 1,300 × 891; 882 KB

  • Bertholet Flemalle, La conversion de saint Paul, Musée des beaux-arts, Liège, Belgium.jpg 1,268 × 2,200; 1.12 MB

  • St Paul Birmingham east window.jpg 2,592 × 3,126; 2.28 MB

  • Chute conversion St Paul.JPG 640 × 480; 161 KB

  • Cornelius Schut-Die Bekehrung Paulus.jpg 1,664 × 2,734; 560 KB

  • Lucas Cranach d. Ä. 092.jpg 1,137 × 1,414; 638 KB

  • Lucas Cranach d.J. - Die Bekehrung des Saulus (1549, Germanisches Nationalmuseum).jpg 1,530 × 1,054; 720 KB

  • Die Bekehrung des Heiligen Paulus.jpg 5,440 × 6,095; 11.31 MB

  • Cristofano Gherardi, conversione di san paolo.jpg 1,067 × 770; 155 KB

  • Domenico Morelli - Conversione di san Paolo.png 1,966 × 3,676; 6.03 MB

  • Dorndorf (Laucha an der Unstrut) Kirche Empore 320.jpg 4,779 × 3,186; 11.84 MB

  • Flemalle Conversion de Saint Paul (2004 1 65).jpg 450 × 800; 150 KB

  • Gaulli Conversion (2006 2 1).jpg 626 × 800; 156 KB

  • Gillis van C