Bernd haussmann biography of albert einstein

night blue, bronze, green grey

unsigned 500 Euro

signed 800 Euro (76 copies per colour)

Sculptural project at Münsterplatz Ulm with 500 respectful implemented Einstein Sculptures 

"It is a pleasure to deal with the thoughts, writings and insights of the physics genius," says conceptual artist Hörl. The principle of discourse is emphasised by the seriality of the installation in Münsterplatz square and the exhibition shown at the Ulm Museum. "Due to the relative neutrality of the Einstein figure, it serves as a projection screen on which people can project their own thoughts, and perhaps also ask themselves new questions. It's not that I prescribe any particular tendency as a way of thinking. We are not dealing with a classic monument here, but with a work that functions as a model of communication. The idea that every visitor can participate in this artistic concept develops from the serial sequence. This corresponds to the basic idea of the democratic principle of equality, which is also the basis of educational institutions. Albert Einstein changed our world view. Not only as a scientist, but also as a cosmopolitan and pacifist. To this day, he is a great source of inspiration for generations of people and he is more topical than ever. He also had a brilliant sense of humour," says Ottmar Hörl about "Ulm's most famous son". 

From 6 May to 3 June 2018, the Einstein figures can be admired in Ulm's Münsterplatz square. At the same time, the Ulm Museum is showing an exhibition of current paintings, text elements, sculptures and photo concepts by Ottmar Hörl making reference to Einstein's research interests.

Fotos: Eva Schickler, Cornelius Bierer, Oliver Schulz
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Principal Investigator

Dr. Tomáš Jagelka
Institut für Angewandte Mikroökonomik
Adenauerallee 24–42
53113 Bonn

Abstract

FELICITAS revolutionizes the way we think about preferences, skills, and other latent personal attributes (PSAs), estimates their heterogeneity along with its determinants, and provides policy implications.

PSAs are key drivers of a myriad of decisions which combine to create an individual’s life story. Differences in PSAs, together with constraints and luck, underlie inequalities in outcomes. Knowledge of PSAs is essential for policymakers to design effective public policy. Self-knowledge of PSAs is crucial for individuals to sort into occupations, activities, and relationships which enable them to flourish.

However, unobserved PSAs are only noisily revealed by observed behavior. I develop a decision model which separately identifies noise due to imperfect self-knowledge and endogenous effort. It quantifies their respective roles in different choice settings, de-biases estimates of PSAs, and assesses their importance in essential life outcomes.

I use these insights, along with an innovative discrete choice framework in which respondents choose between pairs of realistic life stories, to provide causal estimates of distributions in preferences (valuations) for policy-relevant life outcomes (longevity, health, family structure) in the United States and in Europe. I link the estimated heterogeneity to culture, demographics, and other PSAs.

Finally, I examine a new latent personal attribute - an individual’s propensity to perceive time in a
distorted manner. In a twist to received wisdom that time flows faster when one is engaged in a more enjoyable activity, I propose that utility obtained from an activity can be inferred using differences between “felt” and elapsed time. I conjecture that the perceived duration of a task may both be the relevant decision variable, which reflects an individual’s exerted effort on a task, and a determinan

Überblick
1. Ästhetik und Kunst
2. Affekt und Literatur
3. Ambiguität
4. Apokryphenliteratur
5. Autorenporträts
6. Barock und 18. Jahrhundert
7. Begriffsgeschichte
8. Bild und Semiotik
9. Brant, Sebastian
10. Buchkultur
11. Editionen
12. Epochen
13. Geschichtstheorie und Historiographieforschung
14. Grundlagen der Rhetorik
15. Homiletik
16. Ideengeschichte
17. Kleist
18. Kunst
19. Literaturforschung
20. Lyrikgeschichte
21. Medientheorie
22. Memoria
23. Narrenschiff
24. Petrarca und Petrarca-Rezeption
25. Poetologie
26 Prosaerzählung und Prosaroman
27. Reformation
28. Renaissance-Humanismus
29. Rhetorik
30. Rhetorikgeschichte
31. Rhetoriktheorie
32. Semiotik
33. Sprachgeschichte
34. Systematisches zur Rhetorik
35. Texttheorie
36. Wissenschaftspolitik, -theorie und –geschichte

1. Ästhetik und Kunst
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•    Rhetorik der Künste. In: U. Fix, A. Gardt, J. Knape (Hgg.): Rhetorik und Stilistik/Rhetoric and Stylistics. Ein internationales Handbuch historischer und systematischer Forschung. An international Handbook of historical and systematic research. 1. Halbband/Volume 1. Berlin, New York 2008 (= HSK Handbücher zur Sprach- und Kommunikationswissenschaft 31.1), S. 894-928.
•    Les formules du pathos selon Aby M. Warburg. In : Littérature 149 (2008), Mars: La Rhétorique et les autres, S. 56-72.
•    Gibt es Pathosformeln? Überlegungen zu einem Konzept von Aby M. Warburg. In: W. Dickhut/S.Manns/N.Winkler (Hrsg.): Muster im Wandel. Zur Dynamik topischer Wissensordnungen in Spätmittelalter und Früher Neuzeit. Göttingen 2008, S. 115-138.
•    Grenzgänge. In: Grenzgänge. Hrsg. v. Kunstdorf Unterjesingen. Redaktion Günter Rode. Unterjesingen 2009, S. 1-5.
•    Werk, Bildtext und Medium in agonaler Kunstrhetorik. In: Sabine Heis