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animated Disney film by Gary Trousdale and Kirk Wise

Not to be confused with Atlantis, the Lost Continent.For the soundtrack, see Atlantis: The Lost Empire (soundtrack).

Atlantis: The Lost Empire is a American animated science fantasyaction-adventure film produced by Walt Disney Feature Animation and released by Walt Disney Pictures. It was directed by Gary Trousdale and Kirk Wise and produced by Don Hahn, from a screenplay by Tab Murphy, and a story by Murphy, Wise, Trousdale, Joss Whedon, and the writing team of Bryce Zabel and Jackie Zabel. The film features an ensemble voice cast that includes Michael J. Fox, Cree Summer, James Garner, Leonard Nimoy, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Jim Varney, Florence Stanley, John Mahoney, David Ogden Stiers, and Corey Burton. The film is set in and tells the story of young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis.

Development of the film began after production had finished on The Hunchback of Notre Dame (). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artistMike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. LinguistMarc Okrandconstructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from hand-drawn animation toward films with full CGI.

Atlantis: The Lost Empire premiered at the E

How to be happy with yourself, and what are the secrets to happiness? These are the century-old questions that many of us ponder and forever chase after.

Wouldn’t it be good if happiness were a natural part of being human? Then we wouldn’t have to expend so much energy running in circles, trying to figure out the secrets to true happiness.

In my 30 years of life, I have experienced joy and sorrow, realisations and heartbreaks. Most importantly, I have learned valuable lessons along the way.

Mentors are all around us if we seek. They may be someone close to us, an influencer online, an author, a stranger, or even a foe.

In this post, I’ll share, in no particular order, my top 10 secrets to happiness from my own life lessons and stories.

If you find them useful, please spread the love, share and leave a comment below.

1. Don’t Compare Yourself to Others

It’s hard to be a saint and resist the temptation to keep up with the Joneses, especially when you live in a tight-knit community where the Joneses are all around you.

How often do you find yourself feeling miserable about your own life while looking at other people’s Instagram posts?

Here’s a reminder: people always share the highlights of their lives on social media – those few seconds of glory.

What you see or hear accounts for only a fraction of their lives. Wouldn’t it be silly to compare your entire life to someone else’s fleeting moments?

Don’t get me wrong; there’s nothing wrong with wanting more. We all desire a better life, a happy family, and simply… to be happy!

So how do you find happiness? The secret actually lies within yourself.

Instead of comparing your life to others, compare yourself to who you were yesterday.

You will find peace and happiness within yourself when your heart is content with what you achieved yesterday.

And if you’re not satisfied with your past self, turn this discontentment into a drive an

Today, let’s meet Machiko, who’s been working in game localization for seven years.

Machiko was born and raised in Japan, which famously harbors many seminal game development companies, like Nintendo, SEGA, and Konami. If she ever thought about what jobs were available in gaming, she’d have imagined programming, designing, and planning were at the forefront. Yet, as she says, “Localization jobs, such as translating games made overseas into a local language, recording voice dubbings, and checking the quality in LQA, seem to be unknown to many players compared to the above development positions. Yes, it is not a job that is directly involved in the production process, but it plays a very important role in delivering the produced work to users in their home country in a better way.”

Machiko started out enjoying games like most of us, specifically animal simulations and RPGs. She credits her love of story-central games as being a big influence in her work in localization. “I trained my language skills on my own and started my career as an LQA tester at a company that specializes in localization from English to Japanese.”

The localization tester is responsible for ensuring that all text in a game is not just properly translated, but also fits the culture into which it’s being ported. Yet, checking for social norms and slang wasn’t the difficulty for Machiko: “I had the most trouble with text-related problems caused by differences between the structures of English and Japanese. For example, English consists of sentences, and sentences can be separated by words and phrases, but Japanese has limited parts where sentences are separated, so corrections must be made by changing the representation of the text.”

For Machiko, success in localization isn’t just about English comprehension. “I was a student in the faculty of letters at my university, so at that time I had a wide range of reading experience from contemporary Japanese novels to overseas literary works. B

Kida Nedakh

Background[]

Development[]

From the beginning, the filmmakers wanted Kida to stand out from other Disney Princesses both in appearance and in personality. So as not to appear as another damsel in distress, they created her to be a warrior woman with the strength to overcome hostility.

The supervising animator of Kida was Randy Haycock. Randy further wanted to develop a unique appearance for Kida that made her different from the other Disney Princess. Going through various magazines and looking at models, he drew her with a slightly wider nose and full lips. He also wanted to play the character's personality of being stoic and firm while also having a soft, playful side that is left out when she meets Milo.

Cree Summer provides the voice of Kida. Cree was excited to finally get to voice a character in a Disney animated feature after having been in the business for over fifteen years by that point. Haycock noted how he felt intimidated by Cree's wild and unique personality the first time he met her and drew inspiration from that into developing scenes where Kida a