Isabel coixet peliculas cristianas

  • Películas españolas 2022
  • Premios Fotogramas de Prata

    Os Fotogramas de Prata son uns premios que entrega a revista española de cine Fotogramas de maneira anual desde o ano 1994. Os premios ás películas -estranxeiras e nacionais- corren a cargo da crítica especializada e os concedidos ós intérpretes están elixidos polo público.

    Gañadores de cada categoría

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    Fotogramas de Prata á Mellor Película Española

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    Fotogramas de Prata á Mellor Película Estanxeira

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    Fotogramas de Honra

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    Mellor actriz de cine

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    Mellor actor de cine

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    Mellor actriz de televisión

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    Mellor actor de televisión

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    Mellor actriz de teatro

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    Mellor actor de teatro

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    Mellor intérprete de teatro

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    Candidaturas

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    2006

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    Mellor actriz de cine

    Semifinalistas: Lola Dueñas, Volver e Verónica Echegui,Yo soy la Juani

    Mellor actor de cine

    Semifinalistas: Ernesto Alterio, Los 2 lados de la cama e Eduard Fernández, Ficció.

    Mellor actriz de televisión

    Semifinalistas: Teresa Lozano, Mujeres e Diana Palazón, Hospital Central

    Mellor actor de televisión

    Semifinalistas: Imanol Arias, Cuéntame cómo pasó e Jordi Rebellón, Hospital Central

    Mellor actriz de teatro

    Semifinalistas: Marta Angelat, Carnaval e Núria Espert, Play Strindberg.

    Mellor actor de teatro

    Semifinalistas: Luis Merlo, Gorda e Alberto San Juan, Hamelin

    2005

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    Mellor actriz de cine

    Semifinalistas: Verónica SánchezEl Calentito e Elsa PatakyNinette

    Mellor actor de cine

    Semifinalistas: Eduardo NoriegaEl método e Santi MillánAmor idiota

    Mellor actriz de televisión

    Semiinalistas: Verónica SánchezLos Serrano e Patricia VicoHospital Central

    Mellor

  • Películas españolas 2024
  • Marco Bellocchio’s ‘May I Say? Chapter Two’ Debuts Clip Ahead of Venice Premiere (Exclusive)

    Marco Bellocchio’s “Se posso permettermi Capitolo II” (May I Say? Chapter Two), which has its world premiere Sunday in the Out of Competition section of the Venice Film Festival, has debuted a first clip (below). Rai Cinemais handling world sales.

    The 30-minute film is the sequel to the short of the same name made in 2019 as part of the Fare Cinema(Making Cinema) training program.

    The synopsis reads as follows: “Over the course of one day, Fausto, invincible in his inertia, watches a paradoxical procession of visitors pass by: the mellifluous village parish priest; a mysterious man with his absurd idea of a ghost-themed business; the captain of the Carabinieri who proposes a shotgun wedding with his daughter, who’s carrying the child of a stranger.

    “Finally, late at night, a pair of thieves, in cahoots with Barbara, break into the house. Fausto surprises them, as always impassive and bored,...

    See full article at Variety Film + TV

    Bellocchio's 'Kidnapped: The Abduction of Edgardo Mortara' US Trailer

    "This will create new tensions." Cohen Media Grouphas unveiled an official US trailer for the Italian dramatic thriller now titled (in full) Kidnapped: The Abduction of Edgardo Mortara. This premiered at the 2023 Cannes Film Festival last year under the shorter title Rapito. This is legendary Italian director Marco Bellocchio's period drama, depicting a scandalous & captivating true story. It also played at TIFF, New York, Mill Valley, and AFI Fest last year. This grand, historical fresco depicts the true story of a young Jewish child who, in mid-19th century Bologna, was abducted from his family by the church on the Pope's orders. The child had been secretly baptized by his nurse as a baby, and the papal law is unquestionable: he must now receive a Catholic education. Edgardo's parents, distraught, will do anything to

    Las 112 mejores películas españolas de 2023

    La piedad (Eduardo Casanova)

    Eduardo Casanova vuelve seis años después de sorprender con 'Pieles'. Ahora, haciendo uso de ese mismo estilo, su sello cinematográfico, vuelve con la historia de Mateo, un chico que vive con su madre, Libertad, en un mundo color de rosa; un microcosmos que tiene precisamente dos habitantes, madre e hijo. un día, al joven le diagnostican cáncer.

    Estreno: 13 de enero

    Lee nuestra crítica de 'La Piedad'

    El fred que crema (Santi Trullenque)

    Invierno de 1943 en los Pirineos. Los ecos de la Segunda Guerra Mundial resuenan en la aldea donde viven Sara (Greta Fernández) y Antoni (Roger Casamajor), un joven matrimonio que espera su primer hijo. La llegada de una familia de judíos que huyen de la persecución nazi trastocará la vida en el valle. Sara deberá afrontar una difícil decisión: obedecer a la razón o seguir lo que le dicta el corazón. El pasado y los secretos que la nieve ha mantenido enterrados durante años están a punto de salir a la luz.

    Estreno: 20 de enero

    Publicidad - Sigue leyendo debajo

    8 años (JD Alcázar)

    Una road movie en la que nos presentan a José y David, una ex pareja que rompieron hace unos meses después de muchos años de relación. Llevan unos meses sin verse, pero han decidido reunirse de nuevo en la isla de La Palma, el lugar donde se conocieron.

    Estreno: 20 de enero

    Lobo feroz (Gustavo Hernández)

    Adriana Ugarte y Javier Gutiérrez son los protagonistas de un remake de una cinta israelí. Un policía al borde de la ley y una mujer en busca de venganza cruzan sus caminos obsesionados con descubrir al asesino que se esconde tras los brutales crímenes de varias niñas.

    Estreno: 27 de enero

    Publicidad - Sigue leyendo debajo

    La amiga de mi amiga (Zaida Carmona)

    La ópera prima de Zaida Carmona es una comedia de enredos lésbicos a cinco bandas. Un cuento moral que sucede en los baños, las camas y las calles de Barcelona. Todo arr

    "Daniel Monzón's Cell 211 is a gripping, suspenseful thriller, as well as a political commentary on the situation in Spanish jails today. While the film hits several notes popular to the prison film genre, it also questions the extent to which the violence characteristically bred within these facilities is due to the “untameable” disposition of the prisoner. Juan Oliver (Alberto Ammann) wants to make a good impression at his new job as a prison officer and reports to work a day early, leaving his pregnant wife, Elena (Marta Etura), at home. His destiny is forever changed by this fateful decision, as during his tour of the prison, an accident occurs that knocks him unconscious. He is rushed to the empty but visibly haunted walls of cell 211. As this diversion unfolds, inmates of the high-security cellblock strategically break free and hijack the penitentiary. Aware of the violence that is to come, the prison officers flee, leaving Juan stranded and unconscious in the heart of the riot. When Juan awakens, he immediately takes stock of the situation; in order to survive, he must pretend to be a prisoner. Juan develops a dialogue with the violent leader of the riot, Badass (an incredible Luis Tosar, who also played the villain in Michael Mann's Miami Vice), and the two begin a partnership, Badass fully believing that Juan is a new inmate. Negotiations go smoothly until the rioters take three ETA (the militant Basque separatist organization) prisoners hostage. When this hits the news, it triggers a stream of prison riots throughout the country as well as demonstrations in the Basque Country. Juan quickly realizes that he is on his own as the situation becomes more politicized and the government gets involved, afraid of potential ramifications in the Basque community. As the drama heightens, unexpected shifts in character both within and without the prison occur. Tinged with social undertones, Cell 211 offers an entertaining yet provocative reflection on the moral grey