Parking rue jon fosse biography
Have you ever read a single sentence that sticks with you, or seen a piece of art that lingers in the back of your mind years later? How do our encounters with literature and art become parts of us–features of our personal and collective cultural consciousness?
Writer, critic, and art-lover Brian Dillon revels in the pleasures of the word. In his quest to understand and experiment with these pleasures, Dillon has published four books with Fitzcarraldo Editions. Essayism, a consideration of the craft of the essay, demands that we consider “a type of writing so hard to define its very name means a trial.” Suppose a Sentence collects essays inspired by single, striking sentences in literary history. Affinities asks why things are drawn together, and we drawn to things. Refusing the position of the critic as distanced from the creative process, Dillon insists upon the simple joy of reading, looking, learning, and making. Personal, poetic, and reflective, each book is a new try at writing. Join Dillon in celebrating major and minor moments in art and literature, marveling at the mechanics of prose and the lessons we can glean from it.
About the speaker:
Brian Dillon was born in Dublin in 1969. His books include Suppose a Sentence, Essayism, The Great Explosion (shortlisted for the Ondaatje Prize), Objects in This Mirror: Essays, I Am Sitting in a Room, Sanctuary, Tormented Hope: Nine Hypochondriac Lives (shortlisted for the Wellcome Book Prize) and In the Dark Room, which won the Irish Book Award for non-fiction. His writing has appeared in the Guardian, New York Times, London Review of Books, the New Yorker, New York Review of Books, frieze and Artforum. He has curated exhibitions for Tate and Hayward galleries. He lives in London.
Aulnay-sous-Bois
Commune in Île-de-France, France
Aulnay-sous-Bois (French pronunciation:[o(l)nɛsubwɑ]) is a commune in the Seine-Saint-Denis department in the Île-de-France region in the north-eastern suburbs of Paris, France. It is located 13.9 km (8.6 mi) from the Kilometre zero.
The commune has been awarded four flowers by the National Council of Towns and Villages in Bloom in the Competition of cities and villages in Bloom.
Geography
Situation
Aulnay-sous-Bois is located in the Paris area and is 19 km north-east of Notre-Dame Cathedral, 1 km east of Le Bourget Airport, and 5 km south-west of Charles de Gaulle Airport. The commune stretches over a length of 6.5 km from north to south and a width ranging from 1.4 to 4.3 km from east to west and covers an area of 1,620 hectares.
The town is surrounded by the A3 autoroute in the west which joins the A1 autoroute in the north. Route nationale 2 passes through the heart of the commune from west to east with the N370 coming from the south-east along the eastern border to join the N2. The D44 passes through from north-west to south-east and the D115 from Bobigny in the south-west passes through the centre and continues to Villepinte in the east. The Ourcq Canal passes through the south-eastern end, adjacent to Livry-Gargan.
Distribution of urban zones is:
- Residential: 44%
- Industrial: 30%
- Housing Estates: 11%
- Natural areas (parks): 15%
Districts
- The north of Aulnay-sous-Bois consists of large housing estates (including the City of 3000 and Milles-Milles), industrial areas (PSA Peugeot Citroën, Garonor, and O'Parinor), and parks (Robert Ballanger Park and Sausset Park):
- The Rose des Vents (also known as the City of 3000 in reference to the number of dwellings constructed)
- The Etangs (Ponds) (there are the East Etangs - also called Les Nénuphars, and the West Etangs)
- The Merisier
- The City of Emmaus
- Ba
April 19 – June 5, 2022
Donald and Darlene Shiley Stage
Old Globe Theatre
Conrad Prebys Theatre CenterOriginal Broadway production created, directed, and choreographed byBob Fosse
Choreography byBob Fosse
Direction and musical staging byWayne Cilento
Produced in cooperation with Nicole Fosse“A spectacular production! A tribute to the artistry of dance at its most versatile, sexy, and athletic.” —The San Diego Union-Tribune
“Don’t miss this show!” —San Diego Stage and Screen
“An exhilarating celebration of Fosse’s iconic choreography!” —Jazz 88
“Run, walk, or dance your way to the theatre—a can’t-miss experience!” —BroadwayWorld
“This production is officially Broadway-bound—see it here now for bragging rights.” —KPBS
Bob Fosse’s Dancin’ is Fosse’s full-throated, full-bodied celebration of the art form he loved, practiced, and changed forever. His hit musical masterpiece is reimagined by director Wayne Cilento, who starred in the original Broadway production of Dancin’. Cilento transforms the show’s original vision for 21st-century audiences. Dancin’ brims with Fosse’s warmth, emotion, color, and endlessly influential style rarely seen in modern interpretations of his work. Featuring an eclectic score that spans a multitude of musical genres and an extraordinary cast of Broadway’s most accomplished dancers, Dancin’ delivers the quintessential Broadway experience for Fosse fans and first-timers alike. You’ve never seen Dancin’ like this.
Bob Fosse’s Dancin’ is supported by production sponsors Terry Atkinson and Kathy Taylor,Elizabeth Cushman, Ann Davies, Pamela Farr and Buford Alexander, Dee E. Silver, M.D., United, Pamela J. Wagner and Hans Tegebo, and The Estate of Carolyn Yorston – Wellcome and artist sponsors Gail and Doug Hutcheson (for Robert Brill), Philip and Margarita Wilkinson (for director Wayne Cilento), and U.S. Bank (for Reid Bartelme and Harriet Jung).
Program
Song List
Running time
Philadelphia’s Wilma Theater To Receive 2024 Regional Theatre Tony Award
May 22, 2024
Deadlineby Greg Evans
The Wilma Theater in Philadelphia will be the recipient of the 2024 Regional Theatre Tony Award, an annual honor recognizing a regional theatre company that has displayed “a continuous level of artistic achievement contributing to the growth of theatre nationally.”
The award is accompanied by a grant of $25,000.
“We are delighted to announce The Wilma Theater as the recipient of the 2024 Regional Theatre Tony Award,” said Heather Hitchens, president and CEO of the American Theatre Wing and Jason Laks, interim president of the Broadway League. “The Wilma has made outstanding contributions to the world of theatre over the course of 45 years, maintaining an unwavering dedication to contemporary theatre and a commitment to the arts that began with its visionary introduction of avant-garde theatre to Philadelphia in 1979.”
Established in 1973 as The Wilma Project, the Wilma challenged the Philadelphia cultural community to create theatrical productions of original material and to develop local artists. From 1973 through 1979, the Wilma presented work with renowned avant-garde theater artists. In 1979, Blanka and Jiri Zizka, political refugees from Czechoslovakia, forged a creative relationship with the Wilma as artists-in-residence and gained acclaim for their bold, innovative productions. With a dynamic, physical production style and original music accompaniment, the Zizkas’ original adaptation of George Orwell’s Animal Farm focused a new spotlight on the Wilma.
The Zizkas assumed artistic leadership of the organization in 1981 and moved the Wilma to a 100-seat theater on Sansom Street. Within five years, the Wilma’s audience had grown dramatically, driving a decision to expand the theater to a new home. As Philadelphia launched a plan to create an arts corridor in the early 1990s, the Wilma Theater was chosen for a new 300-seat theater located