Charlotte church singer biography examples

Charlotte was introduced to Cardiff-based impresario Jonathan Shalit, who became her manager. He negotiated a record deal with Sony, and her debut album, Voice Of An Angel, was released on 9 November

It went on to sell , copies in the UK, and made Charlotte the youngest artist ever to top the classical chart. Transatlantic success followed soon after. Clearly, grannies of the world simply couldn't get enough of the teen sensation.

Sony were quick to capitalise on her success, rushing out her second eponymous album in time for Christmas By this time, Charlotte was reportedly becoming unhappy with her musical direction - yearning for a pop direction, and citing The Corrs, Puff Daddy and Gloria Estefan as her preferred listening.

All wasn't so rosy, though. The partnership with Jonathan Shalit ended acrimoniously after he was sacked and replaced by Charlotte's mother, Maria. He threatened to sue before reaching a £2 million out-of-court settlement. At the time, her record company worried that the negative publicity would be damaging, but it didn't do much long-term harm. And the financial outlay wasn't much of a loss either: she's now a firm fixture in the Sunday Times rich list.

Taking two personal tutors with her on tour, the starlet found time not only to conquer the world, but also to study for her GCSEs and to write her autobiography. Well, in fact it was ghosted, but how many year-olds have done enough to warrant a book being written about them?

But clearly the money machine wasn't about to grind to a halt, and her third album, Dream A Dream, was released to the usual international success in November And in October Enchantment was became her fourth album success.

Charlotte caused some controversy in the wake of the 11 September attacks, when she told the Sunday Times, "People tend to overdramatise and lose perspective". Though she later retracted the words, she was rounded on by press and public alike.

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Weeks after joyfully announcing her pregnancy mid-concert, Welsh vocal powerhouse Charlotte Church shared the devastating news on Monday that she lost the baby. Due in November, the child would have been the year-old’s third, and her first with longtime romantic partner—and current musical collaborator—Jonathan Powell. The heartbroken star received an outpouring of emotional support and kind words from her legions of fans, many of whom have followed her for decades.

Church first emerged on the international stage in the late ‘90s as a child prodigy. Barely into her teens, albums like Voice of an Angel and her self-titled disc shot up the classical charts, as she stunned listeners by wringing every ounce of emotion from lyrics in English, Welsh, Italian, French and Latin.

At the turn of the millennium, she began to incorporate more pop into her repertoire, using her vocal prowess to tackle Broadway show tunes and soundtrack classics. By , the year-old lowered the curtain on her classical career with a greatest hits album, Prelude. Her next release, ’s Tissues and Issues, would be a primarily pop-centric venture. The album sold respectably in her native UK, but it failed to reach the same degree of success in the United States and abroad.

Her music career largely took a backseat for the next few years as Church focused on her Channel 4 chat program, The Charlotte Church Show, and the birth of her two children. Ruby Megan, her daughter with Welsh rugby player Gavin Henson, was born in September , followed by a son, Dexter Lloyd, in January More than the TV show, she focused on how to just be normal. Famous for most of her life, Church had to cope with the ceaseless intrusion of the world press. She later described photographers installing hidden cameras outside her home and following her every move in cars and on foot. Her first pregnancy leaked to the pres

It is hard to write a biography for someone whose story (or at least a version of it) is very well known. There doesn’t appear to be much to tell beyond the obvious, the redundant restatement of what everyone has already internalised; child opera star, TV host/pop songstress, gutter-media prey. This is the narrative that everyone knows, the narrative that has been created and restated, brassy and brittle. It’s shiny. It obscures a lot.

This is Charlotte Church. Charlotte is 26 years old. She is making music. The music is a synthesis of things she loves and would like to try, things she wants to hear and would love to play and sing. As a human being she has ever evolving tastes. As a person she has a desire to create things she enjoys and to enjoy the things she creates. Consequently, rather than releasing an album, Charlotte will self-release 5 EP’s, short collections of work that contain what she considers freshest and best. It is constant, liberating. The first EP, ONE was released in October to overwhelming acclaim. TWO will be released on 04 March and available to pre-order from iTunes on 04 February Charlotte's music sounds like heart-break and hope, jubilation and righteousness. It probably sounds like some bands you’ve heard of. It also sounds like nothing you’ve heard before. It is the sound of 26 years of learning, listening and living. This is Charlotte Church.