Jean auguste dominique ingres biography for kids
Jean-Auguste-Dominique Ingres facts for kids
"Ingres" redirects here. For other uses, see Ingres (disambiguation).
Quick facts for kids Jean-Auguste-Dominique Ingres | |
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Jean-Auguste-Dominique Ingres, c. | |
| Born | Jean-Auguste-Dominique Ingres ()29 August Montauban, Languedoc, France |
| Died | 14 January () (aged 86) Paris, France |
| Known for | Painting, drawing |
Notable work |
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| Movement | Neoclassicism Orientalism |
Jean-Auguste-Dominique Ingres (ANG-grə, French: [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ]; 29 August – 14 January ) was a French Neoclassicalpainter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists.
Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from to , he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman.
He was finally recognized at the Salon in , when his Raphaelesque The Stratonice, exhibited at the Palais Royal for several days after its arrival in France, produced so favourable an impression that, on his return to Paris in , Ingres was received with all the deference that he felt was his due. One of the first works executed after his return was a portrait of the duc d'Orleans, whose death in a carriage accident just weeks after the completion of the portrait sent the nation into mourning and led to orders for additional copies of the portrait. Ingres shortly afterward began the decorations of the great hall in the Chateau de Dampierre. These murals, the Golden Age and the Iron Age, were begun in with an ardour which gradually slackened until Ingres, devastated by the loss of his wife on July 27, , abandoned all hope of their completion and the contract with the Duc de Luynes was finally cancelled. A minor work, Jupiter and Antiope, dates from ; in July of that year he announced a gift of his artwork to his native city of Montauban, and in October he resigned as professor at the Ecole des Beaux-Arts. The following year Ingres, at seventy-one years of age, married forty-three-year-old Delphine Ramel, a relative of his friend Marcotte d'Argenteuil. This marriage proved as happy as his first, and in the decade that followed Ingres completed several significant works. A major undertaking was the Apotheosis of Napoleon I, painted in for the ceiling of a hall in the Hotel de Ville, Paris and destroyed by fire in the Commune of The portrait of Princesse Albert de Broglie was also completed in , and Joan of Arc appeared in The latter was largely the work of assistants, whom Ingres often entrusted with the execution of backgrounds. In Ingres consented to rescind his resolution, more or less strictly kept since , in favour of the International Exhibition, where a room was reserved for his works. Napoleon Joseph Charles Paul Bonaparte, president of the jury, propos Surviving letters from Anne suggest that his father was an abusive partner and she suffered significantly as a result. Due to the strained relationship of his parents, Ingres grew up with very little contact with his surviving sisters, Augustine and Anne-Marie. He had no acquaintance with his twin brothers Pierre-Victor and Thomas-Alexis. Joseph was the first person to teach Ingres about art. Ingres was a modest painter who lacked any particular specialism. He tried his hand as a sculptor, stonemason and musician as well. Joseph had a strong belief in his abilities and sought to pass his knowledge onto his son. After his early schooling was disrupted by the revolution in France in , Ingres began studying at the academy of fine arts in Toulouse, known as Academie Royale de Peinture, Sculpture et Architecture. His father moved with him to supervise his education, completely neglecting his wife and younger children. It was here that Ingres learnt to play the violin and he was a key member of the Orchestre du Capitole de Toulouse for three years. Shortly afterwards, the talented young man began studying painting under Jacques Louis David in Paris in Described as one of the finest students in his class, Ingres was accepted into the École des Beaux-Arts within two years. A painting of his father, dated to and titled ‘Jean-Marie-Joseph Ingres’ is gentle and flattering, suggesting the debt he felt he owed to him. Joseph encouraged Ingres to follow his artistic talent and this is reflected in Ingres’ portrayal of his father. This portrait contrasts with the sterner depictions that Ingres went on to paint for paying clients. Ingres’ most notable pa Quick facts for kids Jean-Auguste-Dominique Ingres Jean-Auguste-Dominique Ingres Montauban, Languedoc, France Paris, France Notable work Jean-Auguste-Dominique Ingres (29 August – 14 January ) was a FrenchNeoclassicalpainter. Although he considered himself to be a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is Ingres's portraits, both painted and drawn, that are recognized as his greatest legacy. Ingres was profoundly influenced by past artistic traditions. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. He was born in Montauban, Tarn-et-Garonne, France. His father was a painter, sculptor and violinist, and taught the young Ingres in all these disciplines. The boy's talent for music seemed most promising at first — performance of a concerto of Giovanni Battista Viotti was applauded at the theatre of Toulouse. In he entered the Royal Academy of Arts in Toulouse where he studied art under Joseph Roques, sculpture under J. Vigan, and landscape painting under Briant. From an early age he was determined to be a history painter, which was considered the highest level of painting. He did not want to simply make portraits or illustrations of real life like his father; he wanted to represent the heroes of religion, history and mythology, to idealize them and show them in ways that explained their actions, rivaling the best works of literature and philosophy. Ingres died of pneumonia on 14 January , at the age of eighty-six, in his apartment on the Quai Voltaire in Paris. He is interred in the Père Lachaise Cemetery in Paris with a tomb sculpted by his studen Jean Auguste Dominique Ingres Biography In Details
Biography of Jean-Auguste-Dominique Ingres
Born in August , Ingres was the eldest of seven children. His early life was shaped significantly by his relationship with his father, Jean-Marie-Joseph Ingres. Joseph and his wife Anne Moulet, Ingres’ mother, lived apart for long periods of time.
Art tuition
Early works
Jean Auguste Dominique Ingres facts for kids
Born
()29 August Died 14 January () (aged 86) Known for Painting, drawing Louis-François Bertin,
The Turkish Bath, Movement Neoclassicism Early life
Death