Yva momatiuk biography channel
Single-cell technologies mark the dawn of a new era
At the Institut Curie, a tumour specimen circulates from floor to floor. First collected from a patient by a physician in the basement, it then moves up to the pathology department to be prepared for study. It is analysed, cell by cell, using a revolutionary “single-cell” technology, before going up another floor for sequencing. Finally, the bioinformatics specialists clean the dataset produced by the sequencer and apply statistical methods to enable its study. The aim is to understand why a tumour has emerged and is resistant to treatment. Within a few months, the living specimen has become a body of data. “Single-cell methods have accelerated biology , and our work is now based on a multidisciplinary ballet from the physician to the biologist, the data analyst and statistician. It is only through the participation of all these specialists that the whole system works”, explains Céline Vallot, CNRS research professor at the Institut Curie1 and specialist in the epigenetic mechanisms of breast cancer.
A scientist prepares specimens using a multi-channel pipette prior to single-cell analysis.
Manon Matias / Institut Curie
Since , Vallot and her team have been using and developing single-cell techniques for their research on cancer. This technology is an innovation that uses a process called microfluidics: one by one, the cells pass through micro-channels to become encapsulated in a micro-droplet of oil containing reagents. At the time of encapsulation, the genetic material in the cell is labelled using a genetic barcode that identifies the cell. This method enables the scientist to work at the scale of the individual cell and try to understand the cellular heterogeneity present within a single tumour. “Before single-cell technology, we performed experiments on groups of millions of cells and then studied the mean expression of the genes involved,” she explains.
Nevertheless, the epigenetics ex Keep your landscapes razor sharp in lower light with wider apertures. Watch this tutorial to see how I capture a low-light Patagonian landscape image in multiple frames at varying focus settings and then RAW process, composite blend, and finish edit the scene into a single, tack-sharp image. This video tutorial is aimed at the intermediate to advanced landscape photographer. Watch it at p HD for the best experience. What filters should I be using? It's one of the most frequent questions I hear from new photographers and students. For today's modern digital photographer I've got great news. You don't need nearly as many as we did in the age of film. When I shot film I carried an array of filters: polarizers, UV protective, neutral density, graduated neutral density, warming and cooling. Now with the amazing dynamic-range and color flexibility of RAW digital files I only carry the first three. Let's look at each type of filter I currently carry: polarizers, UV filters, and neutral density. The first filter I ever purchased was a circular polarizer and I haven't been without one since. They allow me to View in HD: The depth and enlargeability of an ultra-hi-rez panoramic-merger. Panoramic Mergers. I stumbled across the technique a decade ago when I was wishing for a wider angle lens for my medium format film camera. On an amazingly calm Patagonian morning last month this scene could have been easily captured with a single frame with my Nikon D, but by instead making a panoramic-merger from 8 images I created this highly-enlargeable, megapixel image. Have I mentioned that I love this stuff? Check out this gallery of select panoramic mergers. You can view this image full screen there. I just posted some new images to the print gallery. Here are some new ones from Patagonia. What do a bacterium that causes ulcers, a venomous snail, and a microorganism that contaminates and poisons canned food have in common? They all produce potent toxins that are often lethal to humans. Yet by manipulating these poisons, researchers are now able to redirect their toxicity toward therapeutic purposes. For several years, scientists have been focusing their efforts on Buruli ulcer. Caused by the Mycobacterium ulcerans bacterium, this tropical disease results in the necrosis of skin tissue. Strangely enough, affected patients exhibit no symptoms of pain or fever. This lack of fever was first found to be due to the anti-inflammatory activity of mycolactone, a toxin secreted by the bacterium. This toxin acts by inhibiting the functioning of certain white blood cells, causing an immunosuppressive effect. In June , researchers discovered that mycolactone also exerts an analgesic effect by binding to certain neural receptors.1 Hence the idea of exploiting these properties for therapeutic use. Schematic representation of the mycolactone molecule. In this context, chemists and biologists screened the different active sites in mycolactone to identify those responsible for its analgesic and anti-inflammatory effects. The chemistry team, led by Nicolas Blanchard, senior researcher at the LCM,2 then synthesized a truncated mycolactone containing the “useful” active sites. When tested on human cells by Caroline Demangel, senior researcher at the Institut Pasteur, and her team, this compound displayed the same beneficial effects as natural mycolactone, but with reduced toxicity. The protective efficacy of truncated mycolactone was then tested on mice suffering from chronic skin inflammation and inflammatory pain. As a result, these symptoms regressed markedly in the rodents, and with no adverse effects.3 “We are now trying to identify in more detail the mechanisms at play at the mo Video Training: Composite Focus Blending (Stacking) for Landscape Photography
Circular Polarizer
Wildlife Photographer of the Year
Year Category Name Country Result Images Wildlife Photographer of the Year grand title Richard and Julika Kemp United Kingdom Winner 1 Wildlife Photographer of the Year grand title Charles G. Summers Jr. United States Winner 1 Wildlife Photographer of the Year grand title Rajesh Bedi India Winner 1 Wildlife Photographer of the Year grand title Jonathan Scott United Kingdom Winner 1 Wildlife Photographer of the Year grand title Jim Brandenburg United States Winner 1 Wildlife Photographer of the Year grand title Jouni Ruuskanen Finland Winner 1 Wildlife Photographer of the Year grand title Wendy Shattil United States Winner 1 Wildlife Photographer of the Year grand title Frans Lanting The Netherlands Winning portfolio 5 Young Wildlife Photographer of the Year grand title Charlie Hamilton James United Kingdom Winner 1 Animal Behaviour - Mammals Judd Cooney United States Specially commended 1 Animal Behaviour - Mammals Alain Saunier Switzerland Runner-up 1 Animal Portraits Frans Lanting The Netherlands Winner 1 Animal Portraits Rich Kirchner United States Runner-up 1 Animal-Behaviour - All Other Animals Erling Schön Sweden Winner 1 Animal-Behaviour - All Other Animals Gabriele Somenzi Italy Runner-up 1 Animal-Behaviour - Birds Benjamin Pontinen Finland Winner 1 Animal-Behaviour - Birds Gordon Court New Zealand Specially commended 1 Animal-Behaviour - Birds Risto Petäjämäki Finland Runner-up 1 Animal-Behaviour - Insects Hans Christoph Kappel Germany Winner 1 Animal-Behaviour - Insects Yuri Shibnev USSR Runner-up 1 Composition and Form Richard Herrmann United States Winner 1 Composition and Form Steven Fuller United States Runner-up 1 Dusk to Dawn Darryl Torckler New Zealand Winner 1 En
Turning Natural Poisons into Drugs
A microbial toxin to replace aspirin?